Blues Spiritual for Mammy Prater

 

by Dionne Brand

 

 

 

On looking at the photograph of Mammy Prater, an ex-slave,

 

115 years old when her photograph was taken

 

 

 

she waited for her century to turn

 

she waited until she was one hundred and fifteen

 

years old to take a photograph

 

to take a photograph and to put those eyes in it

she waited until the technique of photography was

 

suitably developed

 

to make sure the picture would be clear

 

to make sure no crude daguerreotype would lose

 

her image

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would lose her lines and most of all her eyes

 

and her hands

 

she knew the patience of one hundred and fifteen years

 

she knew that if she had the patience,

 

to avoid killing a white man

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that I would see this photograph

 

she waited until it suited her

 

to take this photograph and to put those eyes in it.

 

 

 

in the hundred and fifteen years which it took her to

 

wait for this photograph she perfected this pose

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she sculpted it over a shoulder of pain,

 

a thing like despair which she never called

 

this name for she would not have lasted

 

the fields, the ones she ploughed

 

on the days that she was a mule, left

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their etching on the gait of her legs

 

deliberately and unintentionally

 

she waited, not always silently, not always patiently,

 

by the time she sat in her black dress, white collar,

 

white handkerchief, her feet had turned to marble,

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her heart burnished red,

 

and her eyes.

 

  

 

she waited one hundred and fifteen years

 

until the science of photography passed tin and

 

talbotype for a surface sensitive enough

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to hold her eyes

 

she took care not to lose the signs

 

to write in those eyes what her fingers could not script

 

a pact of blood across a century, a decade and more

 

she knew then that it would be me who would find

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her will, her meticulous account, her eyes,

 

her days when waiting for this photograph

 

was all that kept her sane

 

she planned it down to the day,

 

the light,

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the superfluous photographer

 

her breasts,

 

her hands

 

this moment of

 

my turning the leaves of a book,

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noticing, her eyes.